THE MAN WHO WASN'T THERE uses stunning black-and-white cinematography to evoke the memory of classic American film noir, but presents its story with a modern sensibility. 好好的分鏡/用色參考 (睇呢套戲要思考的可能是其他角色看主角的角度而不是主角的角度)
楊肆伍:121.76.19.142
BBC对中国是真爱连续两个纪录片《下海电影》都是大篇幅大笔墨各种对中国顶礼膜拜这部比the story of China拍得更美但是太短